Launched in 2022, the ADCI (Authors with Disabilities and Chronic Illnesses) Literary Prize seeks to encourage greater positive representation of disability in literature.
Founded by author Penny Batchelor and publisher Clare Christian together with the Society of Authors, the prize is generously sponsored by Arts Council England, ALCS, the Drusilla Harvey Memorial Fund, and the Professional Writing Academy.
Open to authors with a disability and/or chronic illness, the prize will call for entries of novels which include a disabled or chronically ill character or characters. The ADCI Literary Prize has a prize fund of £2,000.
The ADCI Literary Prize is closed for submissions.
The Authors with Disabilities and Chronic Illnesses (ADCI) Literary Prize is open to all authors with disabilities and chronic illnesses, both visible and invisible.
Ananya Rao-Middleton designed the logo for this prize to reflect the wide spectrum of people within the disabled community. The logo combines two main elements: a book to represent the inclusive literature the ADCI prize promotes and the Disability Pride flag as designed by writer Ann Magill.
Originally conceived in 2019, the Disability Pride flag was re-designed by Ann Magill after they realised the original design of the flag wasn’t fully accessible. Magill then made the flag free for everyone to use as they felt it had been designed by the community for the community. This is why the flag has been incorporated into the logo.
Community and inclusivity are core values at the Society of Authors. Often marginalised communities like those with disabilities and chronic illness are overlooked and, along with the prize founder and sponsors, we feel it is important for these authors to be seen and feel seen by a readership they may not otherwise reach.
You can find more information on the history and meaning of the disability pride flag here.
Image description
A picture of a book lying flat so the front cover is facing and you can see the outline of the pages. The Disability Pride flag is diagonal on the front cover, with the colours black, red, gold, white, blue, green and finishing with black displayed from top to bottom. They are side by side, again, diagonally. The words “ADCI LITERARY PRIZE” are written underneath. The meaning of the colours is as follows:
- Red – physical disabilities
- Gold – neurodiversity
- White – invisible disabilities and disabilities that haven’t yet been diagnosed
- Blue – emotional and psychiatric disabilities, including mental illness, anxiety, and depression
- Green – for sensory disabilities, including deafness, blindness, lack of smell, lack of taste, audio processing disorder, and all other sensory disabilities.
The faded black background represents mourning and rage for victims of ableist violence and abuse.
The 2024 ADCI Literary Prize winner
Lorraine Wilson for Mother Sea (Fairlight Books)
Photography © Natalie Thorpe
The 2024 ADCI Literary Prize runner-up
Viktoria Lloyd-Barlow for All the Little Bird Hearts (Tinder Press, Headline)
Photography © Natalie Thorpe
“The books we have chosen to celebrate this year are stealthy books; they sneak into one’s consciousness with the nous of stray cats, creeping along the walls until they emerge to rub against you. Then, all of a sudden, their claws are in and you can’t forget them. Disabilities and chronic illnesses are handled with nary a hint of sensationalism, and it is storytelling that wins, giving insights into worlds that many people do not encounter regularly. There was a range of compelling books in the reading we did for the competition, but the two books we have chosen to celebrate are not only works of fine, restrained prose, they are haunting, they are books of remarkable ambition, they are books that will stay with their readers.”
— Nii Ayikwei Parkes, 2024 ADCI Literary Prize judge.
If you are interested in buying any of the books shortlisted here, please visit Bookshop.org. A percentage of each sale will go to the Drusilla Harvey Access Fund, providing access grants to help authors attend events, residencies and retreats.
With thanks, the judges of the 2024 ADCI Literary Prize:
Penny Batchelor
Penny Batchelor is an alumni of Faber Academy’s six month ‘Writing a Novel’ course and the author of two psychological thrillers, My Perfect Sister and Her New Best Friend, both published by RedDoor Press. My Perfect Sister was longlisted for The Guardian’s Not The Booker Prize 2020, and Her New Best Friend was described by LoveReading as ‘a white-knuckle tense thriller’. Her short story ‘The Debate’ is in an anthology called UnLocked, published in November 2023 to raise money for The Trussell Trust by a group of authors who all debuted in 2020. She is the co-founder and editor of the Thriller Women blog with fellow author EC Scullion and she and author Victoria Scott successfully campaigned for Amazon to introduce a disability fiction character for adults in their books section.
Rowan Hisayo Buchanan
Rowan Hisayo Buchanan is the author of Harmless Like You, Starling Days and The Sleepwatcher. She is the editor of the Go Home! anthology. Her work has won The Authors’ Club First Novel Award and a Betty Trask Award and has been shortlisted for the Costa Novel Award. Her work has been a New York Times Editors’ Choice, and an NPR Great Read. Her short work has appeared in several places including Granta, Guernica, The Atlantic, and the New York Times. She has received fellowships and residencies from Hedgebrook, Macdowell, Gladstones’ Library, AAWW, The Kimmel Harding Nelson Center for the Arts, and Kundiman. Read more about Rowan here.
Karl Knights
Karl Knights’ poetry and prose has appeared in The Guardian, The Poetry Review and elsewhere.
He won 2021’s New Poets Prize. His debut pamphlet, Kin, was published by the Poetry Business.
Julia Lund
Julia can’t remember a time when she didn’t think up stories; as a young child, she even made them up about her bedroom wallpaper. And her toes. From the moment she could talk, she told stories (her dad used to call her a mythomaniac), and from the moment she could read, she devoured them. Now, she gets to write them and can’t quite believe she hasn’t made that up, too.
Selina Mills
Selina Mills is an award-winning writer and broadcaster who is legally blind. Educated in the USA and the UK, Selina has worked as a senior reporter and broadcaster for Reuters, The Daily Telegraph, and the BBC. She has regularly writes for publications including The Observer and The Spectator. She is focused on fiction and no fiction disability advocacy and how it shapes our world. Selina was a contributor to the ground-breaking BBC/Loftus series Disability: A New History (2013) which has been rebroadcast around the world, and a regular commentator to BBC Radio 4’s “In Touch” programme. Selina also created the original idea and co-wrote the libretto (with Nicola Werenowska) The Paradis Files, a chamber opera by composer Errollyn Wallen, which premiered at London’s Queen Elizabeth Hall, Southbank in April 2022, and then on tour around the U.K. The opera follows the real life story of Maria-Theresia Von Paradis (1759-1824) the talented musician and blind composer, known as “the Blind enchantress.” Bloomsbury published Selina’s memoir and History book Life Unseen: A Story of Blindness in 2023.
Nii Ayikwei Parkes
Nii Ayikwei Parkes is a Ghanaian-British producer, social commentator and writer who has won acclaim as a children’s author, poet, broadcaster and novelist. Winner of multiple international awards including Ghana’s ACRAG award, he is the Senior Editor at flipped eye publishing, a trustee of the Caine Prize and serves on the editorial board of World Literature Today. Nii Ayikwei has served as a judge for several literature prizes including the Commonwealth Prize, the NSK Neustadt Prize and the Harvill Secker Young Translators’ Prize. He is currently a Hutchins Family Fellow with the Hutchins Center for African and African American Research at Harvard University. Read more about Nii here.
Vikki Patis
Vikki Patis is the bestselling author of psychological suspense. Her latest novel, Return to Blackwater House, was published by Hodder & Stoughton in March 2022. She is represented by Emily Glenister at DHH Literary Agency and also writes historical fiction as Victoria Hawthorne. Her debut historical suspense novel, The House at Helygen, was published in April 2022 by Quercus. She lives in Scotland with her wife, two wild golden retrievers, and an even wilder cat.
Chloe Timms
Chloe Timms is a writer, campaigner and podcast host from the Kent coast. After a career in teaching, Chloe studied for an MA in Creative Writing at the University of Kent and won a scholarship for the Faber Academy. Chloe is passionate about disability rights, having been diagnosed with the condition Spinal Muscular Atrophy at 18 months old, and has campaigned on several crucial issues. In 2022 Chloe launched her podcast Confessions of a Debut Novelist. The Seawomen is her first novel.
2023:
Winner: Spear by Nicola Griffith (Tordotcom Publishing)
Runner-up: The Exit Facility by Fiona Scott-Barrett (Self-published)
Shortlist: Braver by Deborah Jenkins (Fairlight Books)
Professional Writing Academy
Founded in 2009, the Professional Writing Academy (PWA) is a digital learning platform for serious writers and creatives. The PWA pioneered the world’s first fully online Master’s degree in writing, which includes teaching on a digital learning platform designed specifically for writers.
ALCS
Authors’ Licensing and Collecting Society (ALCS) is a not-for-profit membership organisation started by writers for the benefit of writers. They are open to all types of writer, and owned by our members. ALCS collects money that’s due to members for secondary uses of their work. These might include activities like photocopies, cable retransmission, digital reproduction and educational recording.
Arts Council England
Arts Council England is the national development agency for creativity and culture. Their strategic vision for 2030, Let’s Create, is for England to be a country in which the creativity of each of us is valued and given the chance to flourish and where everyone of us has access to a remarkable range of high quality cultural experiences. They invest public money from Government and The National Lottery to help support the sector and deliver this vision.