W. Somerset Maugham set up a fund in 1947 to enable young writers to enrich their work by gaining experience of foreign countries. The awards are given for a published work of fiction, non-fiction or poetry.
The Somerset Maugham Awards are closed for submissions.
2024 Somerset Maugham Award Winners
Iona Lee
Momtaza Mehri
Katherine Pangonis
Cecile Pin
Phoenicia Rogerson
Photography © Natalie Thorpe
“This year’s shortlist was made up of young voices who explored history in unique fashions to tell stories that document the present, reveal the author’s psyche, delve deep into our emotions and take us down roads of imaginative brilliance.”
— 2024 Somerset Maugham Award judges
If you are interested in buying any of the books shortlisted here, please visit Bookshop.org. A percentage of each sale will go to the Drusilla Harvey Access Fund, providing access grants to help authors attend events, residencies and retreats.
With thanks, the judges of the 2024 Somerset Maugham Award:
Akeem Balogun
Akeem Balogun has had his writing appear in multiple publications, created project-themed stories for festivals and won the Somerset Maugham Award for his debut collection of stories, The Storm. He was also one of the winners of Daniel Goldsmith Associates’ First Novel Prize in 2021.
Bhanu Kapil
Bhanu Kapil, FRSL is a Fellow of Churchill College. She is the author of six full-length collections, including How To Wash A Heart (Pavilion Poetry), winner of the TS Eliot Prize. A new edition of Incubation: A Space for Monsters was recently published by Prototype (UK) and is forthcoming in a non-identical version from Kelsey Street Press (USA). Kapil is the recipient of a Cholmondeley Award from the Society of Authors and a Windham Campbell Prize from Yale University, both for her body of work. She also writes a blog of everyday life, The Vortex of Formidable Sparkles. Read more about Bhanu here.
Ardashir Vakil
Ardashir Vakil is a novelist and short story writer. He has published two award-winning novels – Beach Boy, winner of a Betty Trask Award and One Day shortlisted for the Encore Award. His stories have been anthologized, read on the radio and published in prestigious journals. His most recent short story ‘Laptop’ featured in The Iowa Review. He teaches Creative Writing at Goldsmiths. His articles on pedagogy and practical advice for teachers and students of Creative Writing have been published by the International Journal of English Teaching, Changing English: Studies In Culture and Education.
2023
Travis Alabanza for None of the Above (Canongate Books) £2,700
Sussie Anie for To Fill a Yellow House (Phoenix, Weidenfeld & Nicolson) £2,700
Mya-Rose Craig for Birdgirl (Jonathan Cape) £2,700
Jay Gao for Imperium (Carcanet Press) £2,700
Gurnaik Johal for We Move (Profile Books, Serpent’s Tail) £2,700
Moses McKenzie for An Olive Grove in Ends (Headline, Wildfire) £2,700
2022
Caleb Azumah Nelson for Open Water (Viking) £3,200
Tice Cin for Keeping The House (And Other Stories) £3,200
Maia Elsner for Overrun by Overrun by Wild Boars (Flipped Eye) £3,200
Lucia Osbourne-Crowley for My Body Keeps Your Secret (Indigo Press) £3,200
Stephanie Sy-Quia for Amnion (Granta) £3,200
2021
Lamorna Ash for Dark, Salt, Clear (Bloomsbury Publishing) £4,000
Isabelle Baafi for Ripe (Ignition Press) £4,000
Akeem Balogun for The Storm (Okapi Books) £4,000
Graeme Armstrong for The Young Team (Pan Macmillan, Picador) £4,000
2020
Alex Allison for The Art of the Body (Dialogue Books/Little, Brown) £4,000
Oliver Soden for Michael Tippet: The Biography (Weidenfeld and Nicholson/Orion) £4,000
Roseanne Watt for Moder Dy (Birlinn/Polygon) £4,000
Amrou Al-Kadhi for My Life as a Unicorn (4th Estate) £4,000
2019
Raymond Antrobus for The Perseverance (Penned in the Margins) £4,000
Damian Le Bas for The Stopping Places (Chatto & Windus) £4,000
Phoebe Power for Shrines of Upper Austria (Carcanet) £4,000
Nell Stevens for Mrs Gaskell and Me (Picador) £4,000
2018
Kayo Chingonyi for Kumukanda (Chatto Poetry) £5,250
Fiona Mozley for Elmet (JM Originals) £5,250
Miriam Nash for All the Prayers in the House (Bloodaxe) £5,250
2017
Edmund Gordon for The Invention of Angela Carter (Vintage) £5,000
Melissa Lee-Houghton for Sunshine (Penned in the Margins) £5,000
Martin MacInnes for Infinite Ground (Atlantic Books) £5,000
2016
Jessie Greengrass for An Account Of The Decline Of The Great Auk, According To One Who Saw It (JM Originals) £2,500
Daisy Hay for Mr & Mrs Disraeli: A Strange Romance (Chatto & Windus) £2,500
Andrew McMillan for Physical (Cape Poetry) £2,500
Thomas Morris for We Don’t Know What We’re Doing (Faber) £2,500
Jack Underwood for Happiness (Faber) £2,500
2015
Jonathan Beckman for How to Ruin a Queen: Marie Antoinette, the Stolen Diamonds and the Scandal that Shook the French Throne (John Murray) £2,500
Liz Berry for Black Country (Chatto & Windus) £2,500
Ben Brooks for Lolito (Canongate) £2,500
Zoe Pilger for Eat My Heart Out (Serpent’s Tail) £2,500
2014
Nadifa Mohamed for The Orchard of Lost Souls (Simon & Schuster) £4,000
Daisy Hildyard for Hunters in the Snow Glass Delusion (Cape) £4,000
Amy Sackville for Orkney (Granta) £2,000
2013
Ned Beauman for The Teleportation Accident (Sceptre) £2,500
Abi Curtis for The Glass Delusion (Salt) £2,500
Joe Stretch for The Adult (Cape) £2,500
Lucy Wood for Diving Belles (Bloomsbury) £2,500
2012 No award given.
2011
Miriam Gamble for The Squirrels Are Dead (Bloodaxe) £3,500
Alexandra Harris for Romantic Moderns (Thames and Hudson) £3,500
Adam O’Riordan for In the Flesh (Chatto Poetry) £3,500
2010
Jacob Polley for Talk of the Town (Picador) £5,000
Helen Oyeyemi for White is for Witching (Picador) £3,000
Ben Wilson for What Price Liberty? (Faber) £2,000
2009
Winner: Adam Foulds for The Broken Word (Cape) £3,000
Awards:
Alice Albinia for Empires of the Indus: The Story of a River (John Murray)
Rodge Glass for Alasdair Gray: A Secretary’s Biography (Bloomsbury)
Henry Hitchings for The Secret Life of Words: How English Became English (John Murray)
Thomas Leveritt for The Exchange Rate Between Love and Money (Harvill Secker)
Helen Walsh for Once Upon a Time in England (Canongate)
2008
Gwendoline Riley for Joshua Spassky (Cape)
Steven Hall for The Raw Shark Texts (Canongate)
Nick Laird for On Purpose (Faber)
Adam Thirlwell for Miss Herbert (Cape)
2007
Horatio Clare for Running to the Hills (John Murray
James Scudamore for The Amnesia Clinic (Harvill Secker)
2006
Chris Cleave for Incendiary (Chatto & Windus)
Owen Sheers for Skirrid Hill (Seren)
Zadie Smith for On Beauty (Hamish Hamilton)
2005
Justin Hill for Passing Under Heaven (Abacus)
Maggie O’Farrell for The Distance Between Us (Review)
2004
Charlotte Mendelson for Daughters of Jerusalem (Picador)
Mark Blayney for Two Kinds of Silence (Manuscript Publishing)
Robert Macfarlane for Mountains of the Mind (Granta)
2003
Hari Kunzru for The Impressionist (Hamish Hamilton)
William Fiennes for The Snow Geese (Picador)
Jon McGregor for If Nobody Speaks of Remarkable Things (Bloomsbury)
2002
Charlotte Hobson for Black Earth City (Granta)
Marcel Theroux for The Paperchase (Abacus)
2001
Edward Platt for Leadville (Picador Macmillan)
Ben Rice for Pobby and Dingan (Jonathan Cape)
2000
Bella Bathurst for The Lighthouse Stevensons (HarperCollins)
Sarah Waters for Affinity (Virago)
1999
Andrea Ashworth for Once In a House On Fire (Picador Macmillan)
Paul Farley for The Boy from the Chemist Is Here To See You (Picador Macmillan)
Giles Foden for The Last King of Scotland (Faber & Faber)
Jonathan Freedland for Bring Home the Revolution (Fourth Estate)
1998
Rachel Cusk for The Country Life (Picador Macmillan)
Jonathan Rendall for This Bloody Mary is the Last Thing I Own (Faber and Faber)
Kate Summerscale for The Queen of Whale Cay (Fourth Estate)
Robert Twigger for Angry White Pyjamas (Indigo)
1997
Rhidian Brook for The Testimony of Taliesin Jones (Flamingo)
Kate Clanchy for Slattern (Chatto & Windus)
Philip Hensher for Kitchen Venom (Hamish Hamilton)
Francis Spufford for I May Be Some Time (Faber and Faber)
1996
Katherine Pierpoint for Truffle Beds (Faber and Faber)
Alan Warner for Morvern Callar (Vintage)
1995
Patrick French for Younghusband (Harper Collins)
Simon Garfield for The End of Innocence (Faber and Faber)
Kathleen Jamie for The Queen of Sheba (Bloodaxe Books)
Laura Thompson for The Dogs (Chatto & Windus)
1994
Jackie Kay for Other Lovers (Bloodaxe Books)
A.L. Kennedy for Looking for the Possible Dance (Secker & Warburg)
Philip Marsden for Crossing Place (Harper Collins)
1993
Dea Birkett for Jella (Gollancz)
Duncan McLean for Bucket of Tongues (Secker & Warburg)
Glyn Maxwell for Out of the Rain (Bloodaxe Books)
1992
Geoff Dyer for But Beautiful (Jonathan Cape)
Lawrence Norfolk for Lempriere’s Dictionary (S. Stevenson)
Gerard Woodward for Householder (Chatto & Windus)
1991
Peter Benson for The Other Occupant (Macmillan)
Lesley Glaister for Honour Thy Father (Secker & Warburg)
Helen Simpson for Four Bare Legs in a Bed (Heinemann)
1990
Mark Hudson for Our Grandmother’s Drums (Secker & Warburg)
Sam North for The Automatic Man (Secker & Warburg)
Nicholas Shakespeare for The Vision of Elena Silves (Collins Harvill)
1989
Rupert Christiansen for Romantic Affinities (Bodley Head)
Alan Hollingshurst for The Swimming Pool Library (Chatto & Windus)
Deirdre Madden for The Birds of the Innocent Wood (Faber and Faber)
1988
Jimmy Burns for The Land That Lost Its Heroes (Bloomsbury)
Carol Ann Duffy for Selling Manhattan (Anvil)
Matthew Kneale for Whore Banquets (Gollancz Heinemann)
1987
Stephen Gregory for The Cormorant (Heinemann)
Janni Howker for Isaac Campion (Julia MacRae)
Andrew Motion for The Lamberts (Chatto & Windus)
1986
Patricia Ferguson for Family Myths and Legends (Andre Deutsch)
Adam Nicolson for Frontiers (Wiedenfeld & Nicolson)
Tim Parks for Tongues of Flame (Heinemann)
1985
Blake Morrison for Dark Glasses (Chatto & Windus)
Jeremy Reed for By the Fisheries (Jonathan Cape)
Jane Rogers for Her Living Image (Faber and Faber)
1984
Peter Ackroyd for The Last Testament of Oscar Wilde (Hamish Hamilton)
Timothy Garton Ash for The Polish Revolution: Solidarity (Jonathan Cape)
Sean O’Brien for The Indoor Park (Bloodaxe Books)
1983 Lisa St Aubin de Teran for Keepers of the House (Jonathan Cape)
1982
William Boyd for A Good Man in Africa (Hamish Hamilton)
Adam Mars-Jones for Lantern Lecture (Faber & Faber)
1981
Julian Barnes for Metroland (Jonathan Cape)
Clive Sinclair for Hearts of Gold (Allison & Busby)
A.N. Wilson for The Healing Art (Secker & Warburg)
1980
Max Hastings for Bomber Command (Michael Joseph)
Christopher Reid for Arcadia (OUP)
Humphrey Carpenter for The Inklings (Allen & Unwin)
1979
Helen Hodgman for Jack & Jill (Duckworth)
Sara Maitland for Daughter of Jerusalem (Blond & Briggs)
1978
Tom Paulin for A State of Justice (Faber & Faber)
Nigel Williams for My Life Closed Twice (Secker & Warburg
1977 Richard Holmes for Shelley: The Pursuit (Quartet Books)
1976
Dominic Cooper for The Dead of Winter (Chatto & Windus)
Ian McEwan for First Love, Last Rites (Jonathan Cape)
1975 No Award
1974
Martin Amis for The Rachel Papers (Jonathan Cape)
1973
Peter Prince for Play Things (Gollancz)
Paul Strathern for A Season in Abyssinia (Macmillan)
Jonathan Street for Prudence Dictates (Hart-Davis)
1972
Douglas Dunn for Terry Street (Faber and Faber)
Gillian Tindall for Fly Away Home (Hodder & Stoughton)
1971
Susan Hill for I’m the King of the Castle (Hamish Hamilton)
Richard Barber for The Knight and Chivalry (Longman)
Michael Hastings for Tussy Is Me (Weidenfeld)
1970
Jane Gaskell for A Sweet, Sweet Summer (Hodder & Stoughton)
Piers Paul Read for Monk Dawson (Secker & Warburg)
1969 Angela Carter for Several Perceptions (Heinemann)
1968
Paul Bailey for At The Jerusalem (Jonathan Cape)
Seamus Heaney for Death of a Naturalist (Faber and Faber)
1967
B.S. Johnson for Trawl (Secker & Warburg)
Andrew Sinclair for The Better Half (Jonathan Cape)
1966
Michael Frayn for The Tin Men (Collins)
Julian Mitchell for The White Father (Constable)
1965 Peter Everett for Negatives (Jonathan Cape)
1964
Dan Jacobson for Time of Arrival (Weidenfeld)
John Le Carré The Spy Who Came in from the Cold (Gollancz)
1963
David Storey for Flight Into Camden (Longman)
1962
Hugh Thomas for The Spanish Civil War (Eyre & Spottiswood)
1961
V.S. Naipaul for Miguel Street (Deutsch)
1960
Ted Hughes for The Hawk in the Rain (Faber and Faber)
1959
Thom Gunn for A Sense of Movement (Faber and Faber)
1958
John Wain Preliminary for Essays (Macmillan)
1957
George Lamming for In the Castle of my Skin (Michael Joseph)
1956
Elizabeth Jennings for A Way of Looking (Deutsch)
1955
Kingsley Amis for Lucky Jim (Gollancz)
1954
Doris Lessing for Five Short Novels (Michael Joseph)
1953
Emyr Humphreys for Hear and Forgive (Gollancz)
1952
Francis King for The Dividing Stream (Longmans)
1951
Roland Camberton for Scamp (John Lehmann)
1950
Nigel Kneale for Tomato Cain & Other Stories (Collins)
1949
Hamish Henderson for Elegies for the Dead in Cyrenaica (John Lehmann)
1948
P.H. Newby for Journey to the Interior (Jonathan Cape)
1947
A.L. Barker for Innocents (Hogarth Press)
W. Somerset Maugham
William Somerset Maugham (1874-1965) was born in Paris and originally trained to become a doctor However, his first novel, Liza of Lambeth (1897), written whilst he was still a medical student, became an instant bestseller which encouraged him to pursue writing full time. His first theatrical success was the play Lady Frederick (1907). During World War One, he worked for the British Secret Service and witnessed the Bolshevik Revolution of 1917 in Russia. He later spent World War Two in Hollywood working on script adaptations. One of his most famous works is his semi-autobiographical novel, Of Human Bondage, which has never been out of print since it was first published in 1915. Maugham’s successful writing career spanned over fifty years and established him as one of the most renowned authors of the 20th Century. He was even the highest-paid author in the world during the 1930s.
The Somerset Maugham Award was set up in 1947 by a fund from the author to encourage young writers to continue working and travelling around Europe after the end of the second world war.