2020

131.1 | 2020 | The Author

Q&A: Joanne Harris
ByMartin Reed 15 March 20204 October 2020

New Chair of the SoA’s Management Committee

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131.1 | 2020 | The Author

‘Soft power of diversity’
ByMartin Reed 15 March 20204 October 2020

Translation Prizes 2019

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131.1 | 2020 | The Author

News
ByMartin Reed 15 March 20204 October 2020

Copyright, author earnings and more

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131.1 | 2020 | The Author

Within repair
ByMartin Reed 15 March 20204 October 2020

Khairani Barokka on author-translator conversations

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131.1 | 2020 | The Author

With the crying still coming out
ByMartin Reed 15 March 20204 October 2020

Sarah Lightman on illustrating motherhood

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131.1 | 2020 | The Author

No harm?
ByMartin Reed 15 March 20204 October 2020

Rebecca Wait on writing about suicide

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131.1 | 2020 | The Author

The language of recovery
ByMartin Reed 15 March 20204 October 2020

Rethinking mental health, by Barney Norris

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131.1 | 2020 | The Author

Ask an Author: Cressida Cowell
ByMartin Reed 15 March 20204 October 2020

Talking to the Waterstones Children’s Laureate

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131.1 | 2020 | The Author

Proper people
ByMartin Reed 15 March 20204 October 2020

Colin Grant looks at the value of oral history

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131.1 | 2020 | The Author

Reversion around the world
ByMartin Reed 15 March 20204 October 2020

Joshua Yuvaraj and Rebecca Giblin on reversion rights

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131.1 | 2020 | The Author

A female pursuit
ByMartin Reed 15 March 20204 October 2020

Why women read fiction, by Laura Pearson

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131.1 | 2020 | The Author

Q&A: Henny Beaumont
ByMartin Reed 15 March 20204 October 2020

This issue’s lead illustrator

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