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The Society of Authors

131.2

Going primitive
131.2 | 2020 | The Author

Going primitive

ByMartin Reed 15 June 20204 October 2020

Iain Galbraith argues for a different
approach to translation

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In cover of darkness
131.2 | 2020 | The Author

In cover of darkness

ByMartin Reed 15 June 20204 October 2020

Tiff any Francis-Baker explores the value of the night for writers and creators

Read More In cover of darknessContinue

A sense of place
131.2 | 2020 | The Author

A sense of place

ByMartin Reed 15 June 20204 October 2020

Merryn Glover on her writer-in-residence project for the Caingorms National Park

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Q&A: Bratislav Milenković
131.2 | 2020 | The Author

Q&A: Bratislav Milenković

ByMartin Reed 15 June 20204 October 2020

This issue’s lead artist

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Did East Berlin smell different from West Berlin?
131.2 | 2020 | The Author

Did East Berlin smell different from West Berlin?

ByMartin Reed 15 June 20204 October 2020

Ben Fergusson considers the benefits of doing historical research online – during a pandemic and beyond

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Copy of Did East Berlin smell different from West Berlin?
131.2 | 2020 | The Author

Copy of Did East Berlin smell different from West Berlin?

ByMartin Reed 15 June 2020

Ben Fergusson considers the benefits of doing historical research online – during a pandemic and beyond

Read More Copy of Did East Berlin smell different from West Berlin?Continue

Publishing in lockdown
131.2 | 2020 | The Author

Publishing in lockdown

ByMartin Reed 15 June 20204 October 2020

As Benjamin Myers’ new book went on sale, the world shut down

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Messages in bottles
131.2 | 2020 | The Author

Messages in bottles

ByMartin Reed 15 June 20204 October 2020

Ann Morgan asks: what is the role
of the professional writer in the health crisis?

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Indoorsman
131.2 | 2020 | The Author

Indoorsman

ByMartin Reed 15 June 20204 October 2020

Dan Richards on writing, researching, sleeping, listening and observing
during lockdown

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Editorial: emerging from lockdown
131.2 | 2020 | The Author

Editorial: emerging from lockdown

ByMartin Reed 15 June 20204 October 2020

James McConnachie: ‘the hardest editorial I’ve yet had to write’

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