131.2 | 2020 | The Author
Letter from Hong Kong
Jason Y. Ng writes from a city on the edge – reeling from its past and fighting for its future
131.2 | 2020 | The Author
Going primitive
Iain Galbraith argues for a different
approach to translation
131.2 | 2020 | The Author
In cover of darkness
Tiff any Francis-Baker explores the value of the night for writers and creators
131.2 | 2020 | The Author
A sense of place
Merryn Glover on her writer-in-residence project for the Caingorms National Park
131.2 | 2020 | The Author
Q&A: Bratislav Milenković
This issue’s lead artist
131.2 | 2020 | The Author
Did East Berlin smell different from West Berlin?
Ben Fergusson considers the benefits of doing historical research online – during a pandemic and beyond
131.2 | 2020 | The Author
Copy of Did East Berlin smell different from West Berlin?
Ben Fergusson considers the benefits of doing historical research online – during a pandemic and beyond
131.2 | 2020 | The Author
Publishing in lockdown
As Benjamin Myers’ new book went on sale, the world shut down
131.2 | 2020 | The Author
Messages in bottles
Ann Morgan asks: what is the role
of the professional writer in the health crisis?
131.2 | 2020 | The Author
Indoorsman
Dan Richards on writing, researching, sleeping, listening and observing
during lockdown
131.2 | 2020 | The Author
Editorial: emerging from lockdown
James McConnachie: ‘the hardest editorial I’ve yet had to write’
#BlackLivesMatter – a statement of support
A statement of support for Black authors and members of the Black community, from the SoA staff and Management Committee